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I’M YOUR CHILD, GOD

PRAYERS FOR OUR CHILDREN

The earnest and thoughtful Edelman, founder and president of the Children’s Defense Fund, has cast a wide net: she offers prayers for both young children and teens, for special occasions, for “Struggle and Strength,” and a small selection of traditional prayers like the Prayer of St Francis and selected psalms. While the slant is definitely Christian, there is a real effort toward inclusiveness, and the special-occasion prayers include ones for Hanukkah and Passover. Most are brief. While it is impossible to avoid self-consciousness in a collection like this, the language tends to be strong and simple, and might give children a path into prayer that could be difficult to find on their own. A prayer for protection begs to be delivered from “goblins . . . under the bed” as well as bullies and guns and “the low expectations of others”; another says, “Dear God, / I am so afraid of the dark. / Please bring morning soon.” Teen cries for guidance and respect end in questions rather than answers. Collier’s (Visiting Langston, p. 186, etc.) brilliant collage-and-watercolor images are set with vertical bands of color on the children’s faces. He writes that they represent blessings falling upon them. They also provide a unity of vision and an otherworldly effect of rainbow shadows. This may have some difficulty finding its audience, but the strength of author and illustrator will help draw them in. (preface, introduction) (Nonfiction. 7-12)

Pub Date: Oct. 1, 2002

ISBN: 0-7868-0597-8

Page Count: 112

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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