Like The Good Place, this is a humorous and thought-provoking journey into some of life’s hardest questions.
The acclaimed showrunner and TV writer considers philosophy and ethics.
Like Schur’s work on The Office, Parks and Recreation, and The Good Place, this book is both heartfelt and funny. With the assistance of "philosophical nitpicking" by professor May, Schur takes us through 13 chapters, beginning with the question “Should I Punch My Friend in the Face for No Reason?” He then moves on to increasingly trickier philosophical concepts and how best to approach them in our daily lives. Fully admitting his own limitations, Schur stresses the importance of personal connection. “The works discussed in this book are simply the ones I liked and connected with,” he writes. “They’re the ones that made sense to me, in a cartoon-lightbulb-turning-on-above-my-head kind of a way. This simple sense of connection matters with something like philosophy, which is a massive and diverse rain forest of ideas.” In addition to delightful explorations of the history of philosophy, the author shows behind-the-scenes moments from The Good Place and touches on the strangeness that exists in the discipline—e.g., Jeremy Bentham’s decision to house his remains in a hideous “skeleton-wax-head contraption” he called an “auto-icon,” now on display at University College London. Moving both carefully and conversationally through progressively more difficult questions, Schur makes good on his promise to “wade into some deeply confusing and painful applications of moral philosophy, stretching and straining and chewing on really tough questions that plague us in our daily lives, that cause us anxiety and anguish and often lead to loud arguments with our closest friends and family. But in a fun way!” Whether discussing how to enjoy something that is morally problematic or debating whether we need to make moral decisions at all, the text is a relatable and consistently amusing introduction to practical philosophy.
Like The Good Place, this is a humorous and thought-provoking journey into some of life’s hardest questions.Pub Date: Jan. 25, 2022
ISBN: 978-1-982159-31-3
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
SEEN & HEARD
A conversational, pleasurable look into McConaughey’s life and thought.
All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.
“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.
A conversational, pleasurable look into McConaughey’s life and thought.Pub Date: Oct. 20, 2020
ISBN: 978-0-593-13913-4
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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