A well-organized and thoroughly researched account of a remarkable historical figure.
A biography for middle-grade readers tells the story of the first woman elected to federal office in the United States.
Aronson (Bronislaw Huberman, 2018) introduces young readers to Jeannette Rankin (1880-1973), who was elected to Congress twice and voted against the United States’ entry into both world wars. The book takes readers on a chronological tour of her life, from her childhood on a Montana ranch to her work as part of the women’s suffrage movement and social work, moving into her political career and anti-war activism. It brings the story full circle with her late-in-life opposition to the Vietnam War, when a new generation of activists looked up to her as a role model. Through well-documented research—the backmatter includes citations, a bibliography, and a timeline of Rankin’s life—Aronson provides a thorough overview of her subject. He includes plenty of specific detail (“She was handed a bouquet of flowers and then driven down Pennsylvania Avenue to the Capitol in an open car, waving to supporters as she was escorted by 25 flag-draped cars”) while sticking to documented facts, and the numerous photographs and scanned newspaper images add to the reader’s understanding of the various time periods. Aronson’s prose is straightforward, conveying information without rhetorical flourishes: “On November 6, 1916, Rankin had the opportunity to vote for the first time in her life in a main election—and she voted for herself.” He does a good job of establishing Rankin’s historical noteworthiness but not overselling her legislative accomplishments, acknowledging the symbolic value of her initial election and her votes against the wars but also noting that the votes cost her re-elections in both cases. He also draws links between her relatively short congressional career and her lifelong activism. The concise narrative provides an age-appropriate amount of information, and it will be a useful addition to middle-school library shelves—particularly in light of the historic number of women elected to Congress last November.
A well-organized and thoroughly researched account of a remarkable historical figure.Pub Date: N/A
ISBN: 978-1-73207-755-3
Page Count: 126
Publisher: Double M Books Inc.
Review Posted Online: March 4, 2019
Kirkus Reviews Issue: April 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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