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MANDALAY HAWK'S DILEMMA

THE UNITED STATES OF ANTHROPOCENE

A scathing work and an essential blueprint for youth battling climate change.

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Young teens face climate change head-on in Aronson’s middle-grade novel.

In 2030, when a Category 4 hurricane hits Maine, 13-year-old Mandalay Hawk is home alone; her father, Tom, is away, and the roads are closed. Water and wind batter the house, and Mandalay barely survives a roof collapse. Afterward, she’s fed up with adult complacency about extreme weather; to grab attention, she breaks into her high school, Nagatoon Regional, and steals 50 electronic “dweebs”—tabletlike devices donated by energy company Star Power—and sets them on fire in the parking lot. In lipstick, she writes on a chalkboard, “If we don’t stop global warming now, it will be too late. It will make the pandemic of 2020 look like a picnic in the park!!!” The action gets Mandalay expelled and placed in front of Judge Mary Baxter, who fines her $50,000 and sentences her to a year’s probation. She and Tom move to Manhattan’s Morningside Heights neighborhood, where she befriends classmates Jazmin and Gute, the latter a dedicated reader who shuns personal electronic devices. As the trio grows closer, Mandalay reveals her past, and the teens start missing school to tour the city, which, in this era, is ravaged by floods. When their history teacher, Mr. Harkness, learns that the students are researching climate change and the United States’ past response to crises during their outings, he allows them to continue their jaunts. Eventually, Mandalay decides to hold an event at City Hall, and with her friends’ help, she starts KRAAP (Kids Revolt Against Adult Power) but remains unsure about the future.

Aronson’s impassioned novel could serve as a primer for a generation that sees climate change’s effects up-close in the coming years. The world he envisions is surreal, frightening, and, unfortunately, visible on our horizon today. His Manhattan, for example, is so hot that it can support palm trees, and it has canals to divert the rising Atlantic Ocean; fire has claimed the animals of the Bronx Zoo, and lower Broadway has “two feet of smelly, yucky, greenish water and no people.” Other problems include tent cities of climate refugees from uninhabitable states, such as Florida, and constantly hazy skies filled with wildfire toxins. People also carry “stink towels” because they never stop sweating. The book states its themes bluntly, as when Jazmin says, “As a species, we’re pathetic....We just let this happen. To satisfy the materialism of our civilization, more and more fossil fuel is still being burned.” Still, Aronson tries to insert humor in scenes involving the twin principals, Homer and Hubert Bushwick, who try to rein in Mandalay’s behavior. The narrative’s final third introduces some far-fetched elements involving U.S. President William “Bucky” Billingham, but they’re less important than the informative exposition for young readers: “Anthropocene is a term used to describe the current scientific—or geological—period in time...in which humans have impacted earth and climate in a negative way.” The finale is pure wish fulfillment, but anything less would be criminal.

A scathing work and an essential blueprint for youth battling climate change.

Pub Date: Dec. 7, 2021

ISBN: 978-1-7320775-3-9

Page Count: 238

Publisher: Double M Books Inc.

Review Posted Online: Oct. 21, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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HAPPY PLACE

A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

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Exes pretend they’re still together for the sake of their friends on their annual summer vacation.

Wyn Connor and Harriet Kilpatrick were the perfect couple—until Wyn dumped Harriet for reasons she still doesn’t fully understand. They’ve been part of the same boisterous friend group since college, and they know that their breakup will devastate the others and make things more than a little awkward. So they keep it a secret from their friends and families—in fact, Harriet barely even admits it to herself, focusing instead on her grueling hours as a surgical resident. She’s ready for a vacation at her happy place—the Maine cottage she and her friends visit every summer. But (surprise!) Wyn is there too, and he and Harriet have to share a (very romantic) room and a bed. Telling the truth about their breakup is out of the question, because the cottage is up for sale, and this is the group’s last hurrah. Determined to make sure everyone has the perfect last trip, Harriet and Wyn resolve to fake their relationship for the week. The problem with this plan, of course, is that Harriet still has major feelings for Wyn—feelings that only get stronger as they pretend to be blissfully in love. As always, Henry’s dialogue is sparkling and the banter between characters is snappy and hilarious. Wyn and Harriet’s relationship, shown both in the past and the present, feels achingly real. Their breakup, as well as their complicated relationships with their own families, adds a twinge of melancholy, as do the relatable growing pains of a group of friends whose lives are taking them in different directions.

A wistfully nostalgic look at endings, beginnings, and loving the people who will always have your back.

Pub Date: April 25, 2023

ISBN: 9780593441275

Page Count: 400

Publisher: Berkley

Review Posted Online: Feb. 23, 2023

Kirkus Reviews Issue: March 15, 2023

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