Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • Kirkus Prize
  • Kirkus Prize
    winner

Next book

CALL THEM BY THEIR TRUE NAMES

AMERICAN CRISES (AND ESSAYS)

Solnit is careful with her words (she always is) but never so much that she mutes the infuriated spirit that drives these...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • Kirkus Prize
  • Kirkus Prize
    winner

For those heartsick at Trumpism, essayist and Harper’s contributing editor Solnit (The Mother of All Questions, 2017, etc.) offers context and support. Optimism? You’re on your own.

As the author argues in this fiery clutch of essays, optimism isn’t a particularly helpful attitude anyway. Optimism—and its obverse, pessimism—are “false certainties” that “let us stay home and do nothing” in response to hard-line, bigoted conservatism. It is better, she argues, to cultivate hope, “an informed, astute open-mindedness.” That’s a thesis Solnit has explored often, particularly in her 2009 book on Hurricane Katrina and other tragedies, A Paradise Built in Hell, and she’s persuasive at marshaling a case for the long view while being cleareyed about the degradations of the moment. The 1916 Irish rebellion against the British, for instance, paved the way to independence two decades later, and years of steady pressure led to the removal of Confederate statues in New Orleans in 2017. So don’t despair: “We don’t know what will happen next and have to live on principles, hunches, and lessons from history.” Which is why the author doesn’t mind the criticism that liberal pundits like her are preaching to the choir by reasserting principles and history lessons: The choir represents the “deeply committed” who need encouragement. Stoking that support in part demands attacking doublespeak that enables bigotry and unethical behavior from governments. She explores this most effectively in “Death by Gentrification,” an investigation of the shooting of a San Francisco man by police and the rhetorical pretzels police used to blame the victim. Telling the story wrong, with the wrong words and framing, threatens democracy, she exhorts journalism school graduates in one essay. Her own work is a model of doing it right.

Solnit is careful with her words (she always is) but never so much that she mutes the infuriated spirit that drives these essays.

Pub Date: Sept. 4, 2018

ISBN: 978-1-60846-946-8

Page Count: 166

Publisher: Haymarket Books

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Next book

A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 18


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview