A whodunit with twists and turns and some literary pyrotechnics.
In West’s mystery novel, a fire-twirling, whip-cracking amateur detective in Los Angeles brings the heat when it appears that her friend has been met with foul play.
Don’t call Brighid LaFlamme a dominatrix; she prefers to be called an event coordinator, or as her friends call her, “Fire Goddess.” She schedules performances for Hedon’s Sanctuary, “one of the best and safest BDSM and kink play spaces in Los Angeles County,” in which clubgoers use whips, paddles, handcuffs, and other toys; she also finds belly dancers, fire breathers, and pin jugglers for Renaissance fairs and other events needing such talent. As dangerous as their skills can be, the fire-wielding folks are well-trained, and they’re more likely to chat up a fire marshal than wreak havoc. When one of her own small tribe of “Fire Buddies,” Galen Kenneth Greene, dies alone in a fire-related accident, Brighid suspects there’s more to the story, as she trained him in fire safety herself. As with many LA tales, there’s a few sleazy movie producers, including Zayne “Wally” Wallace, who makes small but profitable straight-to-DVD movies with promising, attractive actors. There’s also a bachelor cop, Sgt. Harvey Simon, who, like Brighid, knows something’s rotten in Big Bear, where Galen’s body was found, and there are other Fire Buddies, including Mark and Matt, identical twin fire-breathers from Missouri. The cast also includes two of Brighid’s college friends, Layla and Godiva, who’ve belly-danced their way with her into their 30s, but who have more traditional jobs during the work week. West’s double narrative effectively weaves the history of Brighid and her Fire Buddies, which includes Galen’s death, together with the aftermath of his murder. This gambit enables the reader to see some things more clearly than the main characters do as each plot nears its climax. The book doesn’t entertain easy answers for why some people are drawn to such fiery ways of living; however, it doesn’t entertain complex ones, either, as it’s more interested in the mystery plot. After all, when the two timelines stop twirling like flaming batons and readers see how everything connects into one story, the author’s done her trick—she doesn’t have to tell all her secrets.
A whodunit with twists and turns and some literary pyrotechnics.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Aug. 11, 2023
Review Program: Kirkus Indie
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
This book and its author are cleverer than you and want you to know it.
In this mystery, the narrator constantly adds commentary on how the story is constructed.
In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.
This book and its author are cleverer than you and want you to know it.Pub Date: Jan. 17, 2023
ISBN: 978-0-06-327902-5
Page Count: 384
Publisher: Mariner Books
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
