A hilarious, brilliant, cynical (and maybe even a little sad) takedown of the moral vacuum that is celebrity culture.
After a beloved chef/author/TV star dies, his reputation hangs by a thread.
They say writing is a lonely business, but the three people behind the nom de plume S.E. Boyd—journalists Kevin Alexander and Joe Keohane and book editor Alessandra Lusardi—prove with their debut that a group can write a helluva novel. Hip-deep in knowing detail from the worlds of food, media, and Hollywood, they pull off a saucy spin on the death of Anthony Bourdain—only in this version, his name is John Doe, he dies while filming in Ireland, and his asphyxiation is not the result of despair but the accidental outcome of a certain sexual practice. If your Bourdain-loving hackles go up in response to this ploy, know that the book manages to artfully defang that reaction, both because the whole thing is actually about the potential effect of a salacious detail on a posthumous reputation and because in every other way John Doe is an embodiment of everything great about Bourdain. As in life, his body is discovered by a friend who's a renowned chef: "There were three chefs in the world more famous than Paolo Cabrini, all of whom were French and two of whom were dead. Paolo had cooked for five presidents, four kings, three prime ministers, two chancellors, and One Direction, which he learned was a pop band." Unfortunately, a loutish Irish bellhop named Smilin' Charlie McCree (not the strongest character in the book but a necessary one) manages to get an embarrassing photo of Paolo with his friend's corpse. Unfortunately, a desperate content provider at a trashy website makes up a fake anecdote about Doe that goes viral. Unfortunately, Nia Greene, the agent who has devoted her whole life to Doe's career, must now devote her life to controlling these problems. Meanwhile, those details! Honey-baked ham, Substack, secret rooms within secret rooms, Asian-Irish fusion cuisine, high-end interior design as a front for contract killing. They are as good as they can possibly be. Or better.
A hilarious, brilliant, cynical (and maybe even a little sad) takedown of the moral vacuum that is celebrity culture.Pub Date: Nov. 8, 2022
ISBN: 978-0-593-49044-0
Page Count: 288
Publisher: Viking
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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