by Susan Faludi ‧ RELEASE DATE: June 14, 2016
A moving and penetrating inquiry into manifold struggles for identity, community, and authenticity.
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A Pulitzer Prize–winning journalist investigates the “fluidity and binaries” of “modern transsexuality.”
In 2004, after hardly any contact with her father for 25 years, Faludi (The Terror Dream: Fear and Fantasy in Post–9/11 America, 2007, etc.) received an email from her, announcing that she had undergone gender reassignment surgery in Thailand. Steven Faludi was now Stefánie. “I have decided that I have had enough of impersonating a macho aggressive man that I have never been inside,” she explained. Aggression is what her daughter remembered: Steven had been an “imperious patriarch, overbearing and autocratic” during the author's childhood. Now she reached out to her, inviting the author to write her story. The author’s discoveries about her elusive, mysterious, dissembling father are central to this gripping exploration of sexual, national, and ethnic identity. Steven grew up in Hungary in a wealthy Jewish family that owned two apartment houses. After World War I, when the nation lost more than half of its population and landmass in a peace agreement, anti-Semitism surged, intensifying during World War II. To save his parents from extermination, Steven impersonated a member of the violent Arrow Cross and led them to safety. Moving to Brazil and later to the United States, he married and had two children. He was roiled when his wife sued for divorce. “As both European Jew and American Dad,” the author writes, “my father’s manhood had been doubted, distorted, and besmirched.” “Now, as a woman, women like me more,” she said. A professional photographer deft at manipulating images, Stefánie proved just as deft in revising her biography, challenging Faludi to ferret out truths from her many lies. The writer communicated with relatives, her father’s few friends, and surgeon; transgender females, in interviews and memoirs, share their often disturbing life stories.
A moving and penetrating inquiry into manifold struggles for identity, community, and authenticity.Pub Date: June 14, 2016
ISBN: 978-0-8050-8908-0
Page Count: 432
Publisher: Metropolitan/Henry Holt
Review Posted Online: April 18, 2016
Kirkus Reviews Issue: May 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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