Beautifully written and powerfully compelling.
The story of a lifelong friendship born in hardship and tempered by adversity.
Growing up in Honeysuckle, Louisiana, in the 1950s, Vernice and Annie are best friends who share an unhappy bond: Both have lost their mothers. When Niecy was 6 months old, her father murdered hers. Annie’s abandoned her when she was still “womb-wet.” As girls, they’re inseparable, but their paths diverge in young adulthood. Cautious, sensible Niecy goes to Spelman College, where she finds a community of strong Black women, then marries into a wealthy family. Desperate to find her mother, Annie runs away from home and embarks on a journey that will take her to some of the less savory corners of the Jim Crow South. Even though they’re separated by distance and circumstance, their closeness endures—as does the trauma of mother loss. Niecy and Annie are both rich, captivating characters and the ways in which their lives complement each other is emotionally satisfying—for them as well as the reader. As Annie puts it, “Nobody would for one second think to call me shy if I stood next to Niecy—who has been a young lady since the day she was born. And with me around, nobody would ever call Niecy poor or homely. In that way, we kept each other from being the thing we most didn’t want to be.” This is Jones’ first new novel since An American Marriage (2018), and it’s reminiscent of that critically acclaimed and bestselling work. As in her last book, the author interrogates social injustice through the lens of personal relationships while exploring the ways in which it shapes those relationships, and she does this in language that is intimate, conversational, and musical all at once. For instance, this is how Niecy recollects an encounter with a kind woman: “‘Oh Cher.’ The sympathy in her voice was thick and sticky like Pet Milk. I opened my lips like a baby bird, starving in a forsaken nest.”
Beautifully written and powerfully compelling.Pub Date: Feb. 24, 2026
ISBN: 9780525659181
Page Count: 368
Publisher: Knopf
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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