Acrobatic storytelling, both out there and down-home.
A woman heads to Big Sky Country with some unusual baggage—actual, metaphorical, and psychological.
As LaValle’s beguiling, genre-blending fifth novel opens, it’s 1915, and something so awful has happened to Adelaide Henry’s parents that she’s set the family’s California farmhouse ablaze with their corpses inside. With little but rumor to go on, she high-tails it to Montana, believing the state will be welcoming toward a young Black woman with farming skills and an urge to erase an ugly past. Early on, she seems proven right—the residents of Big Sandy are friendly, supportive, and not too inquisitive about what’s inside her unusually heavy steamer trunk. But in time the region’s secretive nature comes into view, starting with a woman with four blind children who prove to be at the center of a host of deceits. And once the contents of that steamer trunk are unleashed, Adelaide is further pushed into self-preservation mode than she already was as the sole Black woman in a very White and very cold place. LaValle is prodigiously talented at playing with stylistic modes, and here he deftly combines Western, suspense, supernatural, and horror—his prose is unfussy and plainspoken, which makes it easier to seamlessly skate across genres. But LaValle’s fluidity when it comes to style is balanced by a focused thematic vision: Through Adelaide (and that steamer trunk), he explores isolation and division across race, within families, and through communities. Her struggle to find her place is complicated by everyone being tight-lipped and eager to create pariahs. (“The silence is the worst part of this suffering,” as Adelaide puts it.) The closing chapters get somewhat knotted as LaValle labors to corral a Pandora’s box full of plot points. But the novel overall is a winning blend of brains and (occasionally violent) thrills.
Acrobatic storytelling, both out there and down-home.Pub Date: March 28, 2023
ISBN: 9780525512080
Page Count: 304
Publisher: One World/Random House
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A moving portrait of rueful middle age and the failure to connect.
An acclaimed novelist revisits the central characters of his best-known work.
At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.
A moving portrait of rueful middle age and the failure to connect.Pub Date: May 7, 2024
ISBN: 9781476785110
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
This tender, strange treatise on getting out from the “prefab structures” of a conventional life is quintessentially July.
A woman set to embark on a cross-country road trip instead drives to a nearby motel and becomes obsessed with a local man.
According to Harris, the husband of the narrator of July’s novel, everyone in life is either a Parker or a Driver. “Drivers,” Harris says, “are able to maintain awareness and engagement even when life is boring.” The narrator knows she’s a Parker, someone who needs “a discrete task that seems impossible, something…for which they might receive applause.” For the narrator, a “semi-famous” bisexual woman in her mid-40s living in Los Angeles, this task is her art; it’s only by haphazard chance that she’s fallen into a traditional straight marriage and motherhood. When the narrator needs to be in New York for work, she decides on a solo road trip as a way of forcing herself to be more of a metaphorical Driver. She makes it all of 30 minutes when, for reasons she doesn’t quite understand, she pulls over in Monrovia. After encountering a man who wipes her windows at a gas station and then chats with her at the local diner, she checks in to a motel, where she begins an all-consuming intimacy with him. For the first time in her life, she feels truly present. But she can only pretend to travel so long before she must go home and figure out how to live the rest of a life that she—that any woman in midlife—has no map for. July’s novel is a characteristically witty, startlingly intimate take on Dante’s “In the middle of life’s journey, I found myself in a dark wood”—if the dark wood were the WebMD site for menopause and a cheap room at the Excelsior Motel.
This tender, strange treatise on getting out from the “prefab structures” of a conventional life is quintessentially July.Pub Date: May 14, 2024
ISBN: 9780593190265
Page Count: 336
Publisher: Riverhead
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
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