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IT ENDS WITH KNIGHT

Watch your back, Liam Neeson. This avenger is tough.

Quite a change for professional Network assassin Nena Knight: Despite her protests, her father packs her off on a complicated diplomatic mission.

The Tanzanian village of Latema is sitting on an enormously valuable tanzanite mine that American entrepreneur Frances Dubin—a textbook racist and sexist whose French wife, Bridget, delivered Nena to traffickers when she still was a child—is itching to develop and expand. The national government, in the persons of Prime Minister Samwell Asogi and minister of mining Farida Odemba, wants a piece of the action. Councilman David Tegete is running point among Dubin, the government officials, and the miners, whose spokesperson is charismatic Robin Hood figure Judah Wasira. Ignoring Nena’s apt observation that “she wasn’t one for diplomacy or too much conversation,” Noble Knight assigns her and her crew—Eritrean American Network colleague Femi, high-level South African op Billy Thom, and tech specialist Evers, ne Everlasting Nevermind Chinoba—to make sure the negotiations go smoothly, do their best to prevent the villagers from being cheated, and cover Tegete’s back. Readers of the first two installments of Nena’s adventures won’t be surprised when everything goes wrong: A suspicious accident makes the mine distinctly less marketable, several important parties are shot, a child is kidnapped, and the ransom demanded, apart from a paltry $2 million, is a one-sided mining deal that’s unfair to everyone but whomever hired the kidnappers. Luckily, Nena is now in her element, since every problem this new turn of events poses can be solved with condign violence, even though the story could well have ended before the last few twists.

Watch your back, Liam Neeson. This avenger is tough.

Pub Date: Sept. 5, 2023

ISBN: 9781662508288

Page Count: 416

Publisher: Thomas & Mercer

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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