by Lisa Scottoline & Francesca Serritella ‧ RELEASE DATE: July 7, 2015
A silly, featherweight confection that will only appeal to the authors’ many fans.
A mother and daughter team up for another volume of anecdotal stories.
There are countless readers for whom a book is akin to a truffle, a small, sweet, delicate treat lacking in anything particularly sustaining. Often, it’s as much about having others know you’re enjoying it as it is about actually enjoying it. Here, bestselling novelist Scottoline and her daughter Serritella (Have a Nice Guilt Trip, 2014, etc.), both Sunday columnists for the Philadelphia Inquirer, deliver another truffle of a book. It is about nothing but enjoyment, a nudge-nudge, wink-wink narrative about womanhood in all of its messy, wonderful glory (well, “all” from the viewpoint of two well-to-do white women). It is the sixth such book from this mother-and-daughter team, ostensibly in the tradition of humorists like Erma Bombeck. Scottoline and Serritella have yet to reach Bombeck’s level of popularity, but it isn’t for lack of effort—or perhaps it is: many of the sentences (even paragraphs) consist of only a few words: “We get it.” “We rock!” “Like Mensa.” One essay notes that, in disagreements with the power company, they always win: “Because they have the power.” Elsewhere, “I have a gangrene thumb” describes a comical difficulty with planting “a zillion” perennials. Other examples: “She’s like Oprah if Oprah could twerk.” “Woot woot!” “LOL.” “I’m in love. / With my Fitbit. / I’m smitten, which makes me Smitbit. / Or maybe Fitbitten. / Either way, I’m into it….By the way, my dogs do not have Fitbits. / They don’t Fitbite.” The topics are mostly the same as in their previous books, many similar to those Bombeck covered far more dynamically in her many bestsellers. There’s another, more relevant, definition of a truffle: “a strong-smelling underground fungus that resembles an irregular, rough-skinned potato.”
A silly, featherweight confection that will only appeal to the authors’ many fans.Pub Date: July 7, 2015
ISBN: 978-1-250-05994-9
Page Count: 272
Publisher: St. Martin's
Review Posted Online: April 13, 2015
Kirkus Reviews Issue: May 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Reyna Grande
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