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THE UNGRATEFUL REFUGEE

WHAT IMMIGRANTS NEVER TELL YOU

A unique, deeply thought-out refugee saga perfect for our moment.

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2019


  • Kirkus Prize
  • Kirkus Prize
    finalist

A novelist turns to nonfiction to illuminate the refugee experience, focusing mostly on her Iranian family but also reporting the sagas of many others fleeing poverty and violence.

The word “ungrateful” in the title is intended sarcastically, even bitterly. For Nayeri (Refuge, 2017, etc.), winner of the UNESCO City of Literature Paul Engle Prize, that word signifies the misguided mindset of privileged individuals in stable nations who treat desperate refugees with suspicion, condescension, or even outright cruelty. Those unkind hosts falsely believe that refugees expect something for nothing, that maybe those fleeing to save their lives will somehow displace welfare benefits and jobs in a new land. With inventive, powerful prose, Nayeri demonstrates what should be obvious: that refugees give up everything in their native lands only when absolutely necessary—if they remain, they may face poverty, physical torture, or even death. The author, who was born during the Iranian Revolution and came to the U.S. when she was 10, grew up with her brother in a household run by her physician mother and dentist father. However, their relative privilege could not keep them safe from Muslim extremists involved in the revolution. Nayeri’s father learned to compromise his principles to get along, but her mother rebelled openly, converting to Christianity. The extremists threatened to kill her and take her children, so her mother gathered her children and fled, leaving Iran secretly via a risky route. Nayeri’s father stayed behind, eventually remarrying and starting a new family. The refugees subsisted for 16 months in squalor, mostly in a compound in Italy. Nayeri’s mother, desperately working every angle, used her wits and solid education to gain entry to the U.S. The author uses some time-shifting to unfold the narrative, which she divides into five sections: escape (from Iran), refugee camp, asylum (in the U.S.), assimilation, and cultural repatriation.

A unique, deeply thought-out refugee saga perfect for our moment.

Pub Date: Sept. 3, 2019

ISBN: 978-1-948226-42-4

Page Count: 336

Publisher: Catapult

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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