An unflinching, compelling look at how “calcified hearts believe”—and disbelieve.
The author of The Ungrateful Refugee, a Kirkus Prize finalist, probes the boundary between belief and disbelief.
As she did in her previous book, Nayeri dances smoothly between memoir and the stories of others, drawing on her own formative years as an Iranian seeking—and being granted—asylum in the U.S. but moving beyond the experiences of refugees to explore other circumstances when belief and disbelief collide, often catastrophically: her childhood skepticism of the glossolalists in her mother’s ecstatic church, the interrogation techniques that too often lead the innocent to falsely confess to crimes, her McKinsey training in the cultivation of trust in her clients, staged Soviet films of survivors of Nazi mass shootings, and her refusal to accept her partner's brother’s mental illness. The author braids the story of a Sri Lankan torture survivor seeking asylum in the U.K. throughout the narrative as well as inevitable references to Kafka, their effectiveness unblunted by familiarity. Nayeri draws on both the work of organizations such as the Innocence Project and Great Britain’s Freedom From Torture and the writings of thinkers including Blaise Pascal, Jacques Derrida, Susan Sontag, and, most extensively, Simone Weil. She ranges from her own uncertain faith to the cruelty of a culture that insists on “misfits and oddballs and quirky people” in works of fiction but strict conformity to a predetermined performance of credibility in the real world. Nayeri writes elegantly but a little claustrophobically. Readers spend a great deal of time with the author, her partner, their daughter, and the friends who sheltered through Covid-19 lockdown with them in a small town in Provence. She grapples with epistemology and with her partner’s acute distress at his brother’s illness, juxtaposing her private anguish with her examination of the suffering of others.
An unflinching, compelling look at how “calcified hearts believe”—and disbelieve.Pub Date: March 7, 2023
ISBN: 9781646220724
Page Count: 304
Publisher: Catapult
Review Posted Online: Nov. 9, 2022
Kirkus Reviews Issue: Dec. 1, 2022
PERSPECTIVES
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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